Post by JohnFreeman on Apr 18, 2011 21:25:06 GMT -6
the rules are simple, post your five favorite MPCs! Say a few words on why you love the composition if you like!
Battle vs. Lord Blazer (Wild Arms 2) in Mario Paint Composer by Rusty8984
- Some composers may remember 2009 with a bit of a bitter taste. It's often regarded as a time when soundfonts got "out of control", and the beginning of a loss of interest in MPC. Maybe it was a bit overboard with soundfont abuse, but don't dismiss soundfonts for that reason! Take a listen to this song. Put on some headphones and crank up the volume, this composition demands it! Can you feel the power? If it doesn't get your adrenaline rushing and your blood pumping, then it's not loud enough! Masterful work, Rusty
Thriller by Michael Jackson in Mario Paint by geoffnet1
- A classic! Geoffnet has a knack "MPCing" songs very well -- capturing the mood and groove of a song and making it work with MPC's limits. This, I feel, is his masterpiece. The percussion is experimental and catchy, and works very well, the attention to cutoffs brings out a funky quality in the hearts, and the car chords gives the song a subtle, powerful presence (think shy guys/piranha plants). You can't help but sing along when the song hits the chorus
Most surprising of all is the tempo of the song. Listening to it today, it's hard to believe this song was composed at 477 tempo. There's something about this style of composition I find nostalgic, the simple challenge of trying to make a song sound great within the limits of MPC. 2008 was a wonderful year, wouldn't you agree?
Katamari On The Swing (SEXY-SYNTHESIZER ALL ABOUT namco Mix) / SEXY-SYNTHESIZER [Katamari Forever] by balloon303
- Switching gears from a old-school classic to a modern masterpiece. If geoffnet illustrates everything I love about the old-style of composing, then balloon epitomizes what I love about modern MPC: that ambitious, anything-is-possible spirit that ties itself to many compositions today. I mean, just listen to this song. Is there any way we could have predicted MPC could come so far, back in 2008? It's absolutely incredible how much an art form can evolve in just a couple of years. This song is a technical marvel and a masterpiece.
Sammer's Kingdom - Mario Paint Composer by GuruXander6060
- There's something mystical about this composition. It started as an experiment, something very different from other compositions at the time, but it is its unique qualities that make this song stand out so much to me. How did Guru get that twangy Mario head sound? Mario heads are a terrible instrument to try to sustain, especially at that tempo. How did he keep those GameBoys from utterly overpowering the song? They should seem much louder, but my ear pushes them into the background. If there's only one melody line for much of the song, how does it manage to sound so full? This composition is a mystery to me, but that's what makes me love it all the more. I believe LoloGuru summed it up best with his comment: "Ethereal. And I don't use that word lightly."
(it's a minor shame about the audio/video de-sync, but that makes this composition more interesting to me. It's harder to follow along with the video to see how Guru pulled all these tricks off! that sly fox!)
Green Brinstar from Super Metroid in Mario Paint Composer by LoloGuru
- Here it is! I'm floored every time I listen to this. LoloGuru was one of the first people unafraid to use the full range of the little green bars under each line of notes, and his dynamic prowess pays off beautifully in this work. This is my favorite composition from LoloGuru (or any composer, for that matter.) It's a song you can watch multiple times, and be impressed with a new facet of LoloGuru's technical skill each time. Here, try it out now. Pay attention to the percussion. It initially has a subtle presence, but there's so many cool things going on there! Those high, echoing ships establish an eerie atmosphere beautifully, as if a menacing something is rustling through the dense vegetation towards you! Did you notice the contrast between the low and high boats? The woody low B sound contrasts beautifully with the rustling of the high, leafy boats. Listen to the jungle beat of the mushrooms. Did you hear the way the mushroom chords raise in pitch as the bass lead climbs upward during the second half of the song? It's an impressive touch, and really tells the viewer that every note counts.
Despite all these subtle percussive effects, Lolo is able to establish a strong backbone for this song. He is very concerned with the flow of the song, as evidenced by the soft, high ship chords that play as a pick-up into each new phrase. It all sounds marvelous.
Oh, here's another thing: did you notice how strong the bass presence was? The bass provides an anchor for the space-echo Mario heads and twinkling stars in the beginning. LoloGuru emphasizes this anchor, using heart octaves and planes to ground the composition as much as possible. This provides a earthy backdrop that allows the space instruments to shine. Another thing about this bass; did you notice how low it was? Lolo kept the bass low to the ground, even if it meant being out of octave range of the original song (he remedies this by using a low B flat mushroom in place of an ultra-low G heart, an almost unnoticeable work-around.) Low bass is usually drowned out by other instruments, but in this song, it's often the only instrument at maximum volume. Lolo's unique use of the heart instrument really contributes to the somber, eerie mood of this masterpiece.
There's my favorite mario paints, hope i didn't ramble too much, lol! Post your favorites, guys!
Battle vs. Lord Blazer (Wild Arms 2) in Mario Paint Composer by Rusty8984
- Some composers may remember 2009 with a bit of a bitter taste. It's often regarded as a time when soundfonts got "out of control", and the beginning of a loss of interest in MPC. Maybe it was a bit overboard with soundfont abuse, but don't dismiss soundfonts for that reason! Take a listen to this song. Put on some headphones and crank up the volume, this composition demands it! Can you feel the power? If it doesn't get your adrenaline rushing and your blood pumping, then it's not loud enough! Masterful work, Rusty
Thriller by Michael Jackson in Mario Paint by geoffnet1
- A classic! Geoffnet has a knack "MPCing" songs very well -- capturing the mood and groove of a song and making it work with MPC's limits. This, I feel, is his masterpiece. The percussion is experimental and catchy, and works very well, the attention to cutoffs brings out a funky quality in the hearts, and the car chords gives the song a subtle, powerful presence (think shy guys/piranha plants). You can't help but sing along when the song hits the chorus
Most surprising of all is the tempo of the song. Listening to it today, it's hard to believe this song was composed at 477 tempo. There's something about this style of composition I find nostalgic, the simple challenge of trying to make a song sound great within the limits of MPC. 2008 was a wonderful year, wouldn't you agree?
Katamari On The Swing (SEXY-SYNTHESIZER ALL ABOUT namco Mix) / SEXY-SYNTHESIZER [Katamari Forever] by balloon303
- Switching gears from a old-school classic to a modern masterpiece. If geoffnet illustrates everything I love about the old-style of composing, then balloon epitomizes what I love about modern MPC: that ambitious, anything-is-possible spirit that ties itself to many compositions today. I mean, just listen to this song. Is there any way we could have predicted MPC could come so far, back in 2008? It's absolutely incredible how much an art form can evolve in just a couple of years. This song is a technical marvel and a masterpiece.
Sammer's Kingdom - Mario Paint Composer by GuruXander6060
- There's something mystical about this composition. It started as an experiment, something very different from other compositions at the time, but it is its unique qualities that make this song stand out so much to me. How did Guru get that twangy Mario head sound? Mario heads are a terrible instrument to try to sustain, especially at that tempo. How did he keep those GameBoys from utterly overpowering the song? They should seem much louder, but my ear pushes them into the background. If there's only one melody line for much of the song, how does it manage to sound so full? This composition is a mystery to me, but that's what makes me love it all the more. I believe LoloGuru summed it up best with his comment: "Ethereal. And I don't use that word lightly."
(it's a minor shame about the audio/video de-sync, but that makes this composition more interesting to me. It's harder to follow along with the video to see how Guru pulled all these tricks off! that sly fox!)
Green Brinstar from Super Metroid in Mario Paint Composer by LoloGuru
- Here it is! I'm floored every time I listen to this. LoloGuru was one of the first people unafraid to use the full range of the little green bars under each line of notes, and his dynamic prowess pays off beautifully in this work. This is my favorite composition from LoloGuru (or any composer, for that matter.) It's a song you can watch multiple times, and be impressed with a new facet of LoloGuru's technical skill each time. Here, try it out now. Pay attention to the percussion. It initially has a subtle presence, but there's so many cool things going on there! Those high, echoing ships establish an eerie atmosphere beautifully, as if a menacing something is rustling through the dense vegetation towards you! Did you notice the contrast between the low and high boats? The woody low B sound contrasts beautifully with the rustling of the high, leafy boats. Listen to the jungle beat of the mushrooms. Did you hear the way the mushroom chords raise in pitch as the bass lead climbs upward during the second half of the song? It's an impressive touch, and really tells the viewer that every note counts.
Despite all these subtle percussive effects, Lolo is able to establish a strong backbone for this song. He is very concerned with the flow of the song, as evidenced by the soft, high ship chords that play as a pick-up into each new phrase. It all sounds marvelous.
Oh, here's another thing: did you notice how strong the bass presence was? The bass provides an anchor for the space-echo Mario heads and twinkling stars in the beginning. LoloGuru emphasizes this anchor, using heart octaves and planes to ground the composition as much as possible. This provides a earthy backdrop that allows the space instruments to shine. Another thing about this bass; did you notice how low it was? Lolo kept the bass low to the ground, even if it meant being out of octave range of the original song (he remedies this by using a low B flat mushroom in place of an ultra-low G heart, an almost unnoticeable work-around.) Low bass is usually drowned out by other instruments, but in this song, it's often the only instrument at maximum volume. Lolo's unique use of the heart instrument really contributes to the somber, eerie mood of this masterpiece.
There's my favorite mario paints, hope i didn't ramble too much, lol! Post your favorites, guys!